Friday, April 6, 2012

Thomas Kinkade 'Painter of Light' dies at 54

SAN FRANCISCO — Artist Thomas Kinkade, 54, died at his home in Los Gatos in the San Francisco Bay Area of what appeared to be natural causes, David Satterfield said.


Kinkade called himself the "Painter of Light," and his sentimental paintings, with their scenes of country gardens and churches in dewy morning light, were beloved by middlebrow America but reviled by the art establishment. He claimed to be the nation's most collected living artist, and his paintings and spin-off products were said to fetch some $100 million a year in sales, and to be in 10 million homes in the United States.


His paintings generally depict tranquil scenes with lush landscaping and streams running nearby. Many contain images from Bible passages.


Before Kinkade's Media Arts Group went private in the middle of the past decade, the company took in $32 million per quarter from 4,500 dealers across the country, according to the Mercury News. The cost of his paintings range from hundreds of dollars to more than $10,000.


According to his website, Kinkade's paintings have been reproduced in hand-signed lithographs, canvas prints, books, posters, calendars, magazine covers, cards, collector plates and figurines.

Kinkade was born and raised in the Placerville, Calif. He studied at the University of California at Berkeley and the Art Center College of Design in Pasadena.

Kinkade labeled himself the nation's most collected living artist. His paintings and spin-off products bring in about $100 million a year in sales, and are said to be in 10 million homes in the United States.


He grew up in a trailer in the Northern California city of Placerville, which he often rendered in his art as an idyllic community of friendly citizens. After hitting upon the formula for inspirational landscapes and village scenes, he and his wife put their modest savings into publishing the first reproductions of his paintings in 1984. They sold 1,000 copies for $35 each and never looked back.

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